Download 2017 Cannes Film Festival Video/Movie/Live Show

Cannes Film Festival, celebration of cinematographic art, is a big film awards we can't miss after Academy Awards and Emmy Awards for sure. The 2017 70th Cannes Film Festival wrapped up last Sunday with a slate of generally predictable (and perfectly worthwhile) awards in which Pedro Almodóvar and his jury bestowed a couple unexpected bonus prizes, including a tie for screenplay and a special award to Nicole Kidman, who appeared in four projects in this year's official selection, including competition titles "The Killing of a Sacred Deer" and "The Beguiled," season two of "Top of the Lake" and special screening "How to Talk to Girls at Parties." Truly, it is better that all of those excellent movies and videos from the 2017 Cannes Film Festival will be available to be downloaded for watching. So it's really a good news for movie fans if they can get 2017 Cannes Film Festival video download. Actually, if you make use of a professional movie downloader, free downloading the 70th Cannes Film Festival movies and live shows will never be easier.

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Part 1: How to Batch Download 2017 Cannes Film Festival Videos

Part 2: 70th Cannes Film Festival Videos/Movies/Live Show Download Guidance

Part 3: Best Movies From the 2017 Cannes Film Festival

Part 4: The Complete List of 2017 Cannes Film Festival Winners

Part 1: How to Batch Download 2017 Cannes Film Festival Videos

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Part 2: 70th Cannes Film Festival Videos/Movies/Live Show Download Guidance

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Part 3: Best Movies From the 2017 Cannes Film Festival

1. The Square 

Ruben Östlund's often hilarious Palme d'Or winner follows the preparations for a conceptual art project that seeks to create "a sanctuary of trust and caring" on the grounds of a former royal palace. Guess what happens when utopianism and rationality meet the real world? Through its interlocking vignettes, The Square questions our understanding of honesty, trust, and fellowship, suggesting that our ideas about integrity and community might be a lot more fragile than we think. 

BPM (120 Battements Par Minute)

This drama about the efforts of the Paris branch of ACT UP in the 1980s is the kind of story that too often gets told onscreen only in a shallow, made-for-cable social history, but director Robin Campillo's drama, which achieves a touching and pointed mixture of styles, won the festival's Grand Jury Prize – effectively, second place – and many felt it deserved the Palme. Early scenes focus on ACT UP's weekly meetings, their attempts at direct action, as well as debates over strategy and tactics and process. But this clear-eyed, consciously didactic approach eventually gives way to something more personal, romantic, and tragic. 

2. The Beguiled 

Sofia Coppola's Civil War–set gothic drama about a wounded Union soldier (Colin Farrell) who's taken in by the headmistress (Nicole Kidman) and students of a secluded, all-female Virginia seminary, is a tale of repressed desires and sexual power dynamics. But Coppola's a master at taking something that could be portentous and rendering it delicate, thereby reclaiming its depth. Her use of style and texture here is nuanced, playful, and thoughtful. 

3. Wonderstruck 

An adaptation of a young adult novel by Brian Selznick, Todd Haynes's film follows two deaf children, one in 1927 and the other in 1977, as they flee to New York City and discover its riches and dangers. Switching between silent-film aesthetics and Seventies grit, and constantly teasing us with what its intricate narrative might be building to, this is simultaneously the densest and loosest picture Haynes has made. The deeply emotional payoff serves as a tribute to storytelling itself — and to the wonders of following your dreams and maybe even your nightmares. It's a nakedly heartfelt work about finding your people and your passion. 

4. You Were Never Really Here 

Lynne Ramsay's electrifying, 88-minute nervous breakdown of a movie, based on Jonathan Ames's novel, follows the agitated, fragmented inner journey of Joe (Joaquin Phoenix, who won the Best Actor award), a kind of vigilante for hire who finds missing people, as he searches for the daughter of a local politician. Thanks to Ramsay's frenetic, staccato editing style, the film is a tangle of memories, flash-forwards and what-ifs, all rendered in short, sharp, shock cuts. And Joe's world is a kaleidoscope of failures both real and imagined: He's like a superhero whose special powers are self-loathing and self-negation. 

5. The Rider 

Playing in the "parallel section" of Directors' Fortnight, Chloé Zhao's mesmerizing drama was the best film I saw at Cannes. It follows a young rodeo cowboy of Sioux descent who's been sidelined by a grave injury, the result of a ghastly fall off a horse, as he wrestles with the prospect of a future devoid of the one activity that gives him meaning. Working with a cast of nonprofessionals who play themselves and are often re-enacting events from their own lives, Zhao achieves a lovely balance between unflinching realism and haunting lyricism. 

6. They 

In Anahita Ghazvinizadeh's lovely, understated feature, J (Rhys Fehrenbacher) is in the midst of transitioning from male to female but has chosen to delay puberty, leading to an odd sense of displacement to go along with all the other problems of being a kid. But this isn't so much a movie about gender dysmorphia as it is about life in an in-between state – even as J looks to find a place in the world, their sister's boyfriend's Iranian family struggles with a different kind of uprooting. A bewitching little movie, with a haunting central performance by Fehrenbacher, a young performer who is transitioning from female to male. 

7. Promised Land 

Director Eugene Jarecki explores the myth and meaning of Elvis Presley by driving the King's Rolls Royce across the country, visiting key locations in the singer's journey and interviewing historians, artists, and others – including David Simon, Van Jones, and, yes, Chuck D. But as the title hints, this is a movie that uses Elvis to explore the state of the American Dream. Though it sometimes bites off more than it can chew, this often beautiful documentary is never short of riveting. 

8. Filmworker

Director Tony Zierra's documentary looks at Leon Vitali, the British actor who made such an impression as Lord Bullingdon in Stanley Kubrick's Barry Lyndon and then turned around and became Kubrick's assistant for the rest of the director's career. Cleverly using scenes from Vitali's many film and TV appearances, the picture makes clear the enormous personal toll this all-consuming work took on the actor-turned-assistant. It is both a cautionary tale and a tribute to this kind of compulsion. 

9. Closeness (Tesnota) 

Set in 1998, Russian-Kabardian director Kantemir Balaganov's striking debut feature follows the tomboyish daughter of a Jewish family in the desolate Russian town of Nalchik in the wake of her brother's kidnapping. It's not a thriller, but rather a look at a spirited young woman's efforts to carve out her own identity in a land ruled by runaway tribalism. And director Balaganov's technique is dazzling: This had more moments of pure cinematic rapture than almost any other film at Cannes this year. 

10. In the Fade (Aus dem Nichts) 

The first half of Turkish-German director Fatih Akin's intense drama is emotionally harrowing, as Katja Sekerci (Diane Kruger) discovers that her Turkish husband (Numan Acar) and young son have been killed by a terrorist's bomb. Every terrifying and unbearable beat of Katja's emotional journey is rendered in acute detail, and Kruger (who won Cannes's Best Actress award) brings the grief and anger and pain to life. As the story transforms into a courtroom drama and finally a revenge thriller, we may wonder what exactly we're watching – until a finale that subtly calls into question the perspective through which we've seen it all.

Part 4: The Complete List of 2017 Cannes Film Festival Winners


Palme d'Or: "The Square" (Ruben Östlund)

70th Anniversary Award: Nicole Kidman

Grand Prix: "BPM (Beats Per Minute)" (Robin Campillo)

Director: Sofia Coppola, "The Beguiled"

Actor: Joaquin Phoenix, "You Were Never Really Here"

Actress: Diane Kruger, "In the Fade"

Jury Prize: "Loveless" (Andrey Zvyagintsev)

Screenplay — TIE: "The Killing of a Sacred Deer" (Yorgos Lanthimos, Efthimis Filippou) and "You Were Never Really Here" (Lynne Ramsay)


Camera d'Or: "Jeune femme" (Montparnasse-Bienvenüe) (Léonor Serraille)

Short Films Palme d'Or: "Xiao Cheng Er Yue" (Qiu Yang)

Short Films Special Mention: "Katto" (Teppo Airaksinen)

Golden Eye Documentary Prize: "Faces Places" (Visages Villages) (Agnès Varda, JR)

Ecumenical Jury Prize: "Radiance" (Naomi Kawase)


Un Certain Regard Award: "A Man of Integrity," Mohammad Rasoulof

Best Director: Taylor Sheridan, "Wind River"

Jury Prize: Michel Franco, "April's Daughter"

Best Performance: Jasmine Trinca, "Fortunata"

Award for Poetry of Cinema: Mathieu Amalric, "Barbara"


Art Cinema Award: "The Rider" (Chloe Zhao)

Society of Dramatic Authors and Composers Prize — TIE: "Lover for a Day" (Philippe Garrel) and "Let the Sunshine In" (Claire Denis)

Europa Cinemas Label: "A Ciambra" (Jonas Carpignano)


Grand Prize: "Makala" (Emmanuel Gras)

Visionary Prize: "Gabriel and the Mountain" (Fellipe Barbosa)

Society of Dramatic Authors and Composers Prize: "Ava" (Léa Mysius)


Competition: "BPM (Beats Per Minute)"

Un Certain Regard: "Closeness" (Kantemir Balagov)

Directors' Fortnight: "The Nothing Factory" (Pedro Pinho)

FILED UNDER: BPMCannes Film FestivalPedro Almodovar



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